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A soldier of fortune wages war against a conspiracy to re-ignite the Cold War.
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Winner of the Whitbread Prize, Seamus Heaney's translation accomplishes what before now had seemed impossible: a faithful rendering that is simultaneously an original and gripping poem in its own right (New York Times Book Review). The translation that rides boldly through the reefs of scholarship (The Observer) is combined with first-rate annotation. No reading knowledge of Old English is assumed. Heaney's clear and insightful introduction toBeowulf provides students with an understanding of both the poem's history in the canon and Heaney's own translation process. Contexts provides a rich selection of material on Anglo-Saxon and early Northern culture. Criticism features eight essays carefully chosen for their relevance to undergraduate readers, including a full discussion of the Old English poem that lies behind Heaney's translation. Contributors include J.R.R. Tolkien, John Leyerle, Jane Chance, Roberta Frank, Fred C. Robinson, Thomas Hill, Leslie Webster, and Daniel Donoghue. A Glossary of Proper Names and a Selected Bibliography are included.About the series: No other series of classic texts equals the caliber of theNorton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
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Shakespeare probably wrote KING LEAR in 1605, but the action of the play takes place in the eighth century B.C. Lear, the elderly king of Britain, is ready to cease his rule and divide his kingdom among his three daughters. But his heart hardens against his youngest daughter, Cordelia, who refuses to give him the glib flattery he seeks, and he capriciously disowns her. Cordelia marries the king of France, leaving the kingdom to her two unsavory sisters, Goneril and Regan, who promptly begin scheming to strip Lear of not only his authority but his dignity. The old king, devastated by their insulting treatment of him, begins to lose his reason. Forced to flee, he wanders into the wilderness, accompanied by his devoted Fool and by Kent, a nobleman in disguise who stays true to him. As Lear faces a devastating storm and encounters a variety of men, both noble and depraved, his daughters take revenge on anyone who tries to help him, including his old friend Gloucester, who is cruelly blinded before he too is turned out into the wild. Eventually, all these characters make their way to Dover, where Cordelia has landed with the French army under the command of her husband in an attempt to save her father's kingdom. As more blood is shed and the two evil sisters are finally vanquished, one of Shakespeare's saddest endings closes the play, as Lear gives into his grief after Cordelia's death, realizing that it was she who, after all, loved him the best. In KING LEAR, with its bleak vision of the human life, Shakespeare deals with questions of justice and injustice, and whether the world is indifferent to the fate of mankind. The play is interesting for its depictions of madness in several characters, from the professionally nonsensical Fool to Lear's own ravings in the depths of his confusion. KING LEAR is also a probing examination of family and its implications, and of a proud man who is brought low before he is able to understand, too late, what constitutes true goodness...

The thrilling first adventure in a new trilogy, Echoes of the Fourth Magic plucks an unfinished, long-out-of-print work from Salvatore's early days, retools and refines it in e tradition of his bestselling classics, and presents a stunning follow-up to the DemonWar series.
Copyright (C) Muze Inc. 2005.
For personal use only.
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Copyright (C) Muze Inc. 2005.
For personal use only.
All rights reserved.