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Captain Ann Campbell is well-known in the army. Not only is she the daughter of General Fighting Joe Campbell, but she is sexually rapacious--behaviour that ends in tragedy when she is discovered nude, bound, and dead on a firing range. Paul Brenner of the undercover investigative unit and rape specialist Cynthia Schell investigate the murder that closed the tragic, secret life of Ann Campbell. Director Simon West brought THE GENERAL'S DAUGHTER to the silver screen in 1999. John Travolta, Madeleine Stowe, and James Cromwell played leading roles.
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On the basis of his first four plays one could not really make up one's mind as to the direction in which Albee was headed, although it was clear that he had theatrical talent. Who's Afraid of Virginia Woolf? seems to settle the question: Albee is headed for popular success precisely because of the same unconvincing mixture of lively dialogue and incongruous tricks, of brutal realism and false symbolism, that characterized his first plays...The last play can be best described as running fight between a wife and a husband. Insofar as the play is this, it is indeed successful in its own very limited way. But insofar as it lays claim to some deeper, symbolic meaning, it is pretty near unbearable.
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Copyright (C) Muze Inc. 2005.
For personal use only.
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Description not available.
Copyright (C) Muze Inc. 2005.
For personal use only.
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When the King of Navarre commits himself and his gentlemen-in-waiting, Longaville, Dumaine, and Berowne, to three years of secluded study, barring all interactions with women, he forgot that a French envoy consisting of the Princess of France and her three ladies-in-waiting, Maria, Katharine, and Rosaline, were imminently expected. The King agrees to temporarily relax his restrictions in the name of politics, but when the flirting begins, it's in the name of love that the King changes his policy altogether. As a scholarly atmosphere has been legislated by the King, much pedantic banter is exchanged. Indeed, among the themes the play explores is the conflict between true erudition and mere posturing. The overwrought language some of the characters use mocks sophistry and lampoons those who glean their knowledge from study instead of from life. Written around 1595, LOVE'S LABORS LOST has no known literary sources, but the political material in the play echoes events of the day, including the French Wars of Religion in which the real King of Navarre, who later became King Henri IV of France, participated. A masquerade featuring a group of gentlemen dressed as Russians (emulated in the drama by the gentlemen-in-waiting) occurred in 1594, no doubt inspiring Shakespeare's depiction. Records indicate that the play was performed for Queen Elizabeth's court in 1597, but it was likely performed even earlier. Documentation suggests it remained in favor well into the 17th century before becoming dormant for about 200 years. A play entitled LOVE'S LABOR'S WON is listed in an important catalogue of Shakespeare's works compiled in 1598. This counterpart may be a lost play, or another play, such as THE TAMING OF THE SHREW, listed under an alternative title.
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