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 (4.0 / 5.0) A New York Times bestseller. Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel’ d’Hiv’ roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel’ d’Hiv’s 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that terrible term in the Vel d'Hiv', to the camps, and beyond. As she probes into Sarah's past, she begins to question her own place in France, and to reevaluate her marriage and her life. Tatiana de Rosnay offers us a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and silence that surround this painful episode. Tatiana de Rosnay was born in the suburbs of Paris and is of English, French and Russian descent. She is the author of nine French novels. She also writes for French Elle, and is a literary critic for Psychologies magazine. Tatiana de Rosnay is married and has two children. Sarah's Key is her first novel written in her mother tongue, English. Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel' d'Hiv' roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel' d'Hiv's 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that terrible term in the Vel' d'Hiv', to the camps, and beyond. As she probes into Sarah's past, she begins to question her own place in France, and to reevaluate her marriage and her life. Tatiana de Rosnay offers a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and silence that surround the painful episode in that country's history. "De Rosnay's U.S. debut fictionalizes the 1942 Paris roundups and deportations, in which thousands of Jewish families were arrested, held at the Vélodrome d'Hiver outside the city, then transported to Auschwitz. Forty-five-year-old Julia Jarmond, American by birth, moved to Paris when she was 20 and is married to the arrogant, unfaithful Bertrand Tézac, with whom she has an 11-year-old daughter. Julia writes for an American magazine and her editor assigns her to cover the 60th anniversary of the Vél' d'Hiv' roundups. Julia soon learns that the apartment she and Bertrand plan to move into was acquired by Bertrand's family when its Jewish occupants were dispossessed and deported 60 years before. She resolves to find out what happened to the former occupants: Wladyslaw and Rywka Starzynski, parents of 10-year-old Sarah and four-year-old Michel. The more Julia discovers—especially about Sarah, the only member of the Starzynski family to survive—the more she uncovers about Bertrand's family, about France and, finally, herself. Already translated into 15 languages, the novel is De Rosnay's 10th (but her first written in English, her first language). It beautifully conveys Julia's conflicting loyalties, and makes Sarah's trials so riveting, her innocence so absorbing, that the book is hard to put down."—Publishers Weekly (starred review) “This is the shocking, profoundly moving and morally challenging story . . . It will haunt you, it will help to complete you . . . nothing short of miraculous.”—Augusten Burroughs “A powerful novel . . . Tatiana de Rosnay has captured the insane world of the Holocaust and the efforts of the few good people who stood up against it in this work of fiction more effectively than has been done in many scholarly studies. It is a book that makes us sensitive to how much evil occurred and also to how much willingness to do good also existed in that world.”—Rabbi Jack Riemer, South Florida Jewish Journal “Just when you thought you might have read about every horror of the Holocaust, a book will come along and shine a fierce light upon yet another haunting wrong. Sarah's Key is such a novel. In remarkably unsparing, unsentimental prose . . . through a lens so personal and intimate, it will make you cry—and remember.”—Jenna Blum, author of Those Who Save Us “A remarkable novel written with eloquence and empathy.”—Paula Fox, author of Borrowed Finery "A story of hearts broken, first by the past, then by family secrets, and the truth that begins to repair the pieces. A beautiful novel."—Linda Francis Lee, bestselling author of The Ex-Debutante “Sarah's Key unlocks the star crossed, heart thumping story of an American journalist in Paris and the 60-year-old secret that could destroy her marriage. This book will stay on your mind long after it's back on the shelf.”—Risa Miller, author of Welcome to Heavenly Heights “This is a remarkable historical novel . . . it's a book that impresses itself upon one's heart and soul forever.”—Naomi Ragen, author of The Saturday Wife “Masterly and compelling, it is not something that readers will quickly forget. Highly recommended.”—Library Journal (starred review) "De Rosnay's U.S. debut fictionalizes the 1942 Paris roundups and deportations, in which thousands of Jewish families were arrested, held at the Vélodrome d'Hiver outside the city, then transported to Auschwitz. Forty-five-year-old Julia Jarmond, American by birth, moved to Paris when she was 20 and is married to the arrogant, unfaithful Bertrand Tézac, with whom she has an 11-year-old daughter. Julia writes for an American magazine and her editor assigns her to cover the 60th anniversary of the Vél' d'Hiv' roundups. Julia soon learns that the apartment she and Bertrand plan to move into was acquired by Bertrand's family when its Jewish occupants were dispossessed and deported 60 years before. She resolves to find out what happened to the former occupants: Wladyslaw and Rywka Starzynski, parents of 10-year-old Sarah and four-year-old Michel. The more Julia discovers—especially about Sarah, the only member of the Starzynski family to survive—the more she uncovers about Bertrand's family, about France and, finally, herself. Already translated into 15 languages, the novel is De Rosnay's 10th (but her first written in English, her first language). It beautifully conveys Julia's conflicting loyalties, and makes Sarah's trials so riveting, her innocence so absorbing, that the book is hard to put down."—Publishers Weekly (starred review) 
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 (4.5 / 5.0) In a clash of heroes, the kingdom is born. At the end of the ninth century, King Alfred of Wessex is in ill health; his heir, an untested youth. His enemy, the Danes, having failed to conquer Wessex, now see their chance for victory. Led by the sword of savage warrior Harald Bloodhair, the Viking hordes attack. But Uhtred, Alfred's reluctant warlord, proves his worth, outwitting Harald and handing the Vikings one of their greatest defeats. For Uhtred, the sweetness of victory is soon overshadowed by tragedy. Breaking with Alfred, he joins the Vikings, swearing never again to serve the Saxon king. Instead, he will reclaim his ancestral fortress on the Northumbrian coast. Allied with his old friend Ragnar—and his old foe Haesten—he aims to invade and conquer Wessex itself. Yet fate has different plans. The Danes of East Anglia and the Vikings of Northumbria are plotting the conquest of all Britain. When Alfred's daughter pleads with Uhtred for help, he cannot refuse her request. In a desperate gamble, he takes command of a demoralized Mercian army, leading them in an unforgettable battle on a blood-soaked field beside the Thames. In The Burning Land, Bernard Cornwell, "the reigning king of historical fiction" (USA Today), delivers a rousing saga of Anglo-Saxon England—an irresistible new chapter in his thrilling Saxon Tales, the epic story of the birth of England and the legendary king who made it possible.
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(4.5 / 5.0) A voyage of discoveries, a meeting of two remarkable women, and extraordinary time and place enrich bestselling author Tracy Chevalier's enthralling new novel
From the moment she's struck by lightening as a baby, it is clear that Mary Anning is marked for greatness. On the windswept, fossil-strewn beaches of the English coast, she learns that she has "the eye"-and finds what no one else can see. When Mary uncovers an unusual fossilized skeleton in the cliffs near her home, she sets the religious fathers on edge, the townspeople to vicious gossip, and the scientific world alight. In an arena dominated by men, however, Mary is barred from the academic community; as a young woman with unusual interests she is suspected of sinful behavior. Nature is a threat, throwing bitter, cold storms and landslips at her. And when she falls in love, it is with an impossible man. Luckily, Mary finds an unlikely champion in prickly Elizabeth Philpot, a recent exile from London, who also loves scouring the beaches. Their relationship strikes a delicate balance between fierce loyalty, mutual appreciation, and barely suppressed envy. Ultimately, in the struggle to be recognized in the wider world, Mary and Elizabeth discover that friendship is their greatest ally. Remarkable Creatures is a stunning novel of how one woman's gift transcends class and social prejudice to lead to some of the most important discoveries of the nineteenth century. Above all, is it a revealing portrait of the intricate and resilient nature of female friendship.
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(4.5 / 5.0) Sherlock Holmes, Vol. 1; Sherlock Holmes, Vol. 2. 2 Vols.
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(4.0 / 5.0) Aldous Huxley's tour de force, Brave New World is a darkly satiric vision of a "utopian" future—where humans are genetically bred and pharmaceutically anesthetized to passively serve a ruling order. A powerful work of speculative fiction that has enthralled and terrified readers for generations, it remains remarkably relevant to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying entertainment.
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(4.0 / 5.0) The bestselling master of historical fiction weaves a grand, sweeping drama of New York from the city's founding to the present day.
Rutherfurd celebrates America's greatest city in a rich, engrossing saga that showcases his extraordinary ability to combine impeccable historical research and storytelling flair. As in his earlier, bestselling novels, he illuminates cultural, social, and political upheavals through the lives of a remarkably diverse set of families. As he recounts the intertwining fates of characters rich and poor, black and white, native born and immigrant, Rutherfurd brings to life the momentous events that shaped New York and America: the Revolutionary War, the emergence of the city as a great trading and financial center, the excesses of the Gilded Age, the explosion of immigration in the late nineteenth and early twentieth centuries, the trials of World War II, the near-demise of New York in the 1970s and its roaring rebirth in the '90s, and the attacks on the World Trade Center. Sprinkled throughout are captivating cameo appearances by historical figures ranging from George Washington to Abraham Lincoln to Babe Ruth. New York is the book that millions of Rutherfurd's American fans have been waiting for. A brilliant mix of romance, war, family drama, and personal triumphs, it gloriously captures the search for freedom and prosperity at the heart of our nation's history.
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(4.0 / 5.0) New York Times bestselling author Stephanie Laurens takes a bold turn in her exciting new series. A second battle-hardened, completely unstoppable, all-male hero, an ex-officer of the Crown, confronts the deadly enemy known only as the Black Cobra. He's focused on his mission, then sees a lady he never dreamed he'd see again—with an assassin on her heels. She secretly followed him, unaware her path is deadly—or that she'll join him to battle a treacherous foe. Through ever-present peril, through passion, desire, and ecstasy, they race to reach England—and their destiny.
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(4.5 / 5.0) Few have failed to be charmed by the witty and independent spirit of Elizabeth Bennet. Her early determination to dislike Mr. Darcy is a prejudice only matched by the folly of his arrogant pride. Their first impressions give way to true feelings in a comedy profoundly concerned with happiness and how it might be achieved.
Edited with an Introduction by Vivien Jones
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(4.5 / 5.0) Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published. Firmly grounded by the hallmark strengths of all Norton Anthologies—thorough and helpful introductory matter, judicious annotation, complete texts wherever possible—The Norton Anthology of English Literature has been revitalized in this Eighth Edition through the collaboration between six new editors and six seasoned ones. Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool. .
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(4.0 / 5.0) The text of this Norton Critical Edition is that of the 1818 first edition, published in three volumes by Lackington, Hughes, Harding, Mavor, and Jones, in which only obvious typographical errors have been corrected. This text represents what Frankenstein's first readers encountered and is the text favored by scholars. A special critical section, Composition and Revision, includes essays by M. K. Joseph and Anne Mellor that address the issues surrounding teachers' choice of text. Contemporary perspectives of the text are provided in two sections: Contexts helps place the novel in relation to the mind of its creator through writings by Mary Shelley, Percy Bysshe Shelley, Lord Byron, and John William Polidori; Nineteenth-Century Responses collects six reactions to the book from the years 1818 to 1886.
Criticism brings together twelve seminal essays. The emphasis is on range—both critical (psychoanalytic, mythic, new historicist, and feminist essays are included) and chronological (essays span the last thirty years). Christopher Small, George Lebine, Ellen Moers, Sandra M. Gilbert and Susan Gubar, Barbara Johnson, Mary Poovey, Gayatri Chakravorty Spivak, William Veeder, Anne K. Mellor, Susan Winnett, Marilyn Butler, and Lawrence Lipking provide diverse perspectives. A Chronology and Selected Bibliography are also included. .
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