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 (4.0 / 5.0) What is the difference between choking and panicking? Why are there dozens of varieties of mustard-but only one variety of ketchup? What do football players teach us about how to hire teachers? What does hair dye tell us about the history of the 20th century? In the past decade, Malcolm Gladwell has written three books that have radically changed how we understand our world and ourselves: The Tipping Point; Blink; and <i>Outliers. Now, in <i>What the Dog Saw, he brings together, for the first time, the best of his writing from TheNew Yorker over the same period. Here is the bittersweet tale of the inventor of the birth control pill, and the dazzling inventions of the pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and "hindsight bias" and why it was that everyone in Silicon Valley once tripped over themselves to hire the same college graduate. <div><br><div>"Good writing," Gladwell says in his preface, "does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head."What the Dog Saw is yet another example of the buoyant spirit and unflagging curiosity that have made Malcolm Gladwell our most brilliant investigator of the hidden extraordinary.
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 (4.5 / 5.0) Author Barbara Kingsolver and her family abandoned the industrial-food pipeline to live a rural life—vowing that, for one year, theyd only buy food raised in their own neighborhood, grow it themselves, or learn to live without it. Part memoir, part journalistic investigation, <i>Animal, Vegetable, Miracle is an enthralling narrative that will open your eyes in a hundred new ways to an old truth: You are what you eat.
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$9.09 |
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(4.0 / 5.0) A Book of All-New Pop Culture Pieces by Chuck Klosterman Chuck Klosterman has chronicled rock music, film, and sports for almost fifteen years. He's covered extreme metal, extreme nostalgia, disposable art, disposable heroes, life on the road, life through the television, urban uncertainty and small-town weirdness. Through a variety of mediums and with a multitude of motives, he's written about everything he can think of (and a lot that he's forgotten). The world keeps accelerating, but the pop ideas keep coming. In Eating the Dinosaur, Klosterman is more entertaining and incisive than ever. Whether he's dissecting the boredom of voyeurism, the reason why music fan's inevitably hate their favorite band's latest album, or why we love watching can't-miss superstars fail spectacularly, Klosterman remains obsessed with the relationship between expectation, reality, and living history. It's amateur anthropology for the present tense, and sometimes it's incredibly funny. Q: What is this book about?<P>A: Well, that's difficult to say. I haven't read it yet - I've just clicked on it and casually glanced at this webpage. There clearly isn't a plot. I've heard there's a lot of stuff about time travel in this book, and quite a bit about violence and Garth Brooks and why Germans don't laugh when they're inside grocery stores. Ralph Nader and Ralph Sampson play significant roles. I think there are several pages about Rear Window and football and Mad Men and why Rivers Cuomo prefers having sex with Asian women. Supposedly there's a chapter outlining all the things the Unabomber was right about, but perhaps I'm misinformed. Q: Is there a larger theme? A: Oh, something about reality. "What is reality," maybe? No, that's not it. Not exactly. I get the sense that most of the core questions dwell on the way media perception constructs a fake reality that ends up becoming more meaningful than whatever actually happened.<P><b>Q: Should I read this book? A: Probably. Do you see a clear relationship between the Branch Davidian disaster and the recording of Nirvana's In Utero? Does Barack Obama make you want to drink Pepsi? Does ABBA remind you of AC/DC? If so, you probably don't need to read this book. You probably wrote this book. But I suspect everybody else will totally love it, except for the ones who absolutely hate it.
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$13.25 |
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(4.0 / 5.0) A new collection from David Sedaris is cause for jubilation. His recent move to Paris has inspired hilarious pieces, including Me Talk Pretty One Day, about his attempts to learn French. His family is another inspiration. You Cant Kill the Rooster is a portrait of his brother who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers and cashiers with 6-inch fingernails. Compared by The New Yorker to Twain and Hawthorne, Sedaris has become one of our best-loved authors.
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 (5.0 / 5.0) Since its publication in 1974, scholars throughout the humanities have adopted G M A Grube's masterful translation of the Republic as the edition of choice for their study and teaching of Plato's most influential work. In this brilliant revision, C D C Reeve furthers Grube's success both in preserving the subtlety of Plato's philosophical argument and in rendering the dialogue in lively, fluent English, that remains faithful to the original Greek. This revision includes a new introduction, index, and bibliography by Reeve.
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(4.0 / 5.0) "David Sedaris's ability to transform the mortification of everyday life into wildly entertaining art," (The Christian Science Monitor) is elevated to wilder and more entertaining heights than ever in this remarkable new book.
Trying to make coffee when the water is shut off, David considers using the water in a vase of flowers and his chain of associations takes him from the French countryside to a hilariously uncomfortable memory of buying drugs in a mobile home in rural <st1:place w:st="on"> Praise for When You Are Engulfed in Flames: "Older, wiser, smarter and meaner, Sedaris...defies the odds once again by delivering an intelligent take on the banalities of an absurd life." --Kirkus Reviews<br><br>This latest collection proves that not only does Sedaris still have it, but he's also getting better....Sedaris's best stuff will still--after all this time--move, surprise, and entertain." --<i>Booklist<br><br><strong>Table of Contents: It's Catching Keeping Up<br>The Understudy<br>This Old House Buddy, Can You Spare a Tie?<br>Road Trips<br>What I Learned That's Amore The Monster Mash In the Waiting Room Solutions to Saturday's Puzzle Adult Figures Charging Toward a Concrete Toadstool Memento Mori All the Beauty You Will Ever Need Town and Country Aerial The Man in the Hut<br>Of Mice and Men April in The Smoking Section
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(4.0 / 5.0) Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the groundbreaking essays and poems in this volume profoundly challenged how we think about identity. Borderlands/La Frontera remapped our understanding of what a "border" is, seeing it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us. This twentieth-anniversary edition features new commentaries from prominent activists, artists, and teachers on the legacy of Gloria Anzaldúa's visionary work.
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$14.00 |
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(4.5 / 5.0) "The first Christmas was a simple one. So simple that it had all the makings of a first-class disaster. It's a miracle it turned out well at all. In fact, that's the whole point. It really was, and remains, a miracle--the greatest miracle of all time. And it really was simple." <BR> -Mike Huckabee
Christmas has become synonymous with shopping, overindulging, competition, and stress. But according to Mike Huckabee (who was a pastor before getting into politics), that was never God's intention. Going back to the Nativity, Christmas is supposed to be about simple things: faith, love, family, and hope. The hard part, in today's crazy world, is remembering that those simple things are the most precious of all. <BR><BR> Now Huckabee recounts twelve Christmas memories--often funny, sometimes deeply moving--that range from his childhood in Arkansas to his years as a young husband and father to his time as a governor and then a presidential candidate. These true stories will help you smile, take a deep breath, and maybe slow down your own holiday treadmill. For instance: As kids, Mike and his sister would sneak open their gifts before Christmas, play with them, then rewrap them so their parents wouldn't notice. The plan worked great for several years until one Christmas morning when young Mike unwrapped a brand-new football...that was covered in mud. That led to a powerful lesson about patience. In 1966, like millions of preteens, Mike was obsessed with the Beatles. He dug in his heels, telling his parents that if they wouldn't buy him a guitar for Christmas, he didn't want anything at all. He was selfish, stubborn, and obnoxious, with no idea what it would take for working-class parents to find an extra $99. It took many years for him to understand the sacrifice they made for that life-changing gift--or how it connected to the Lord's own sacrifice. Only a year after Mike and his wife, Janet, had gotten married, she was diagnosed with a rare form of cancer at the shocking age of twenty. That Christmas of 1975 was the most terrifying and upsetting they would ever know, as they wondered if they would ever get to share another one. But in retrospect, it's a Christmas they will treasure forever. <BR><BR> If you're looking for a little clarity, sanity, and inspiration at this insane time of year, you're sure to enjoy A Simple Christmas.
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(4.5 / 5.0) So great is the impact of ancient Greek literature on Western culture that even people who have never read Homer's <I>Iliad or <I>The Odyssey know a lot about them. The Trojan Horse, Achilles' heel, the Sirens' call, Scylla and Charybdis--all have entered popular mythology, becoming metaphors for the less heroic situations we face in our own lives. Ever since these oral poems were committed to paper (probably in the 8th century B.C.E.), people have been translating them. The version of Iliad translated by Stanley Lombardo is a brave departure from previous translations; Lombardo attempts to adapt the text to the needs of readers rather than the listeners for whom the work was originally intended. To this end, he has streamlined the poem, removing many of the stock repetitions such as the infamous "rosy-fingered dawn," or rewriting them in ways dependent on their context. What emerges is a vivid, lively rendition of one of the world's great stories of men and war. <P> But classicists, beware: This <I>Iliad has something of a '90s sensibility, from the cover art (a photograph of the D-Day Normandy landing) to Achilles' Rambo-like diction. It might well outrage the purists, but for those who remember their musty high-school reading of Homer's great epic with a barely suppressed yawn, Lombardo's energetic translation is just the version to change their minds.
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 (3.0 / 5.0) Edited by award-winning poet and essayist Mary Oliver, the latest edition of this "rich and thoughtful collection" (Publishers Weekly) offers the finest essays "judiciously selected from countless publications" (<I>Chicago Tribune).
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$8.07 |