Rabbi Steinberg's portrayal of Elisha ben Abuyah, a talmudic rabbi who repudiates Judaism and turns to Greek philosophy in search of a rational basis for faith.

Peter G. Beidler’s Reader’s Companion is an indispensable guide for teachers, students, and general readers who want fully to appreciate Salinger’s perennial bestseller. Now nearly six decades old, The Catcher in the Rye contains references to people, places, books, movies, and historical events that will puzzle many twenty-first-century readers. Beidler’s guide provides some 250 explanations to help readers make sense of the culture through which Holden Caulfield stumbles as he comes of age. It provides a map showing the various stops in Holden’s Manhattan odyssey. Of particular interest to readers whose native language is not English is the glossary of more than a hundred terms, phrases, and slang expressions. In his introductory essay, “Catching The Catcher in the Rye,” Beidler discusses such topics as the three-day time line for the novel, the way the novel grew out of two earlier-published short stories, the extent to which the novel is autobiographical, what Holden looks like, and the reasons for the enduring appeal of the novel. The many photographs in the Reader’s Companion give fascinating glimpses into the world that Holden has made famous. Beidler also provides discussion of some of the issues that have engaged scholars down through the years: the meaning of Holden’s red hunting hat, whether Holden writes his novel in an insane asylum, Mr. Antolini’s troubling actions, and Holden’s close relationship with his sister and his two brothers. Readers of A Reader’s Companion to J. D. Salinger’s The Catcher in the Rye will wonder how they managed without it before.

"She was the most beautiful child I had ever seen, and I afterward wondered that my employer had not told me more of her." For the first time since 1898, readers can experience Henry James's eerie The Turn of the Screw the way his original readers did, as a twelve-part weekly serial. The Coffeetown Press edition showcases the novel as it first appeared, complete with provocative illustrations by John La Farge and Eric Pape, in Collier's Weekly. This unique edition, with an analytical introduction by Peter G. Beidler, will of course be valuable to scholars. It will be particularly useful, however, for undergraduate classroom use. It allows readers to experience first-hand the suspense generated by the week-by-week grouping of chapters. It also lets them read the young governess's story of her dangerous encounter with prowling spirits as it first appeared, before James made the 500-odd changes in wording he introduced later. After reading Beidler's detailed appendix analyzing all of James's revisions, readers will see that in many ways this earliest version of The Turn of the Screw was James's best.

This Coffeetown Press edition of Henry James's most famous, most widely read, and most frequently taught story presents the text as it appeared in 1908, with the author's final revisions. The Turn of the Screw, first published in serial format in 1898, is the chilling tale of a young woman who accepts a job as governess-that is, as teacher-of two lovely young children who seem to be haunted by the spirits of a former governess and her lover, both now dead. David Gorman's introduction is designed to help first-time readers of the tale by providing a brief historical backdrop to this tale of a haunted house and by laying out the central critical controversy that surrounds it: whether this ghost story is not about ghosts at all, or rather a probing of the psyche of a narrator who madly imagines that two ghosts threaten her young charges.

Longing for diversion while visiting his brother, the Viscount Rawleigh propositions young widow Catherine Winters, and the shocked lady finds her virtues challenged by her budding feelings for the rakish lord.

An unusually violent bolt of lightening transports the soul of scientist Winnifred McCanless to Alaska in the year 1866, where she is surprised to discover that she is married to a maddeningly arrogant but irresistibly seductive man.

Refusing to love again after losing every man she has ever cared for, museum worker Marin Alexander is transported back to 1876, where she tries to adjust to a new life and falls for Hunter Pierce.

Continuing the story of The Carpetbaggers, Jonas Cord, Jr., is tormented by his father's death, Nevada Smith reappears, and the bathtub sex scene is surpassed as Jonas's daughter and son determine to outdo him.