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 (4.0 / 5.0) Rich in world history and political power, veiled in secrecy, and rife with rituals and arcane symbols -- from art and architecture to the images that adorn our currency -- the Freemasons arose from ambiguous origins centuries ago to play a major role in drafting the initial documents of the United States, and even in constructing the intricate landscape of Washington, D.C., itself a virtual mystery by design. These puzzles lay the foundation for Dan Brown's serpentine thriller, <I>The Lost Symbol, and also raise provocative questions. Why do some Masonic symbols remain obscured, while others are hidden in plain sight? Which presidents were the embodiments of Masonic ideals? What is the significance of the construction of the Library of Congress, Washington National Cathedral, the Washington Monument, the Capitol, and the physical layout of Washington, D.C.'s roadways and cul-de-sacs? And to what secretive end do they all lead?<P>Now millions of curious fans can follow Robert Langdon step-by-step, and discover for themselves the answers to the absorbing conundrums posed by The Lost Symbol in this comprehensive, fully illustrated, and intricately detailed tour of the arcana of Washington, D.C. It takes readers through the enigmatic codes, captivating trivia, unfathomable riddles, intriguing records, historic maps, ciphers, and conspiracies of the phenomenal bestseller. What's more, it reveals the fascinating details of a world of unknown locales, mysticism, intrigue, and secret societies -- all of which lie in the shadow of The Lost Symbol.
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$10.79 |
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(4.0 / 5.0) <CENTER><FONT SIZE="+1">33,000 PAGES<P>44 MILLION WORDS
10 BILLION YEARS OF HISTORY<P>1 OBSESSED MAN Part memoir and part education (or lack thereof), The Know-It-All chronicles NPR contributor A.J. Jacobs's hilarious, enlightening, and seemingly impossible quest to read the Encyclopaedia Britannica from A to Z. To fill the ever-widening gaps in his Ivy League education, A.J. Jacobs sets for himself the daunting task of reading all thirty-two volumes of the Encyclopaedia Britannica. His wife, Julie, tells him it's a waste of time, his friends believe he is losing his mind, and his father, a brilliant attorney who had once attempted the same feat and quit somewhere around Borneo, is encouraging but unconvinced.<P>With self-deprecating wit and a disarming frankness, The Know-It-All recounts the unexpected and comically disruptive effects Operation Encyclopedia has on every part of Jacobs's life -- from his newly minted marriage to his complicated relationship with his father and the rest of his charmingly eccentric New York family to his day job as an editor at Esquire. Jacobs's project tests the outer limits of his stamina and forces him to explore the real meaning of intelligence as he endeavors to join Mensa, win a spot on Jeopardy!, and absorb 33,000 pages of learning. On his journey he stumbles upon some of the strangest, funniest, and most profound facts about every topic under the sun, all while battling fatigue, ridicule, and the paralyzing fear that attends his first real-life responsibility -- the impending birth of his first child. <P><I>The Know-It-All is an ingenious, mightily entertaining memoir of one man's intellect, neuroses, and obsessions, and a struggle between the all-consuming quest for factual knowledge and the undeniable gift of hard-won wisdom.
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$3.03 |
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(4.0 / 5.0) One of the world's great Taoist masters isn't Chinese, or a venerable philosopher, but is in fact none other than A. A. Milne's effortlessly calm, still, reflective bear Winnie-the-Pooh. While Eeyore frets and Piglet hesitates and Rabbit calculates and Owl pontificates, Pooh just is. And that's the clue to the secret wisdom of the Taoists.
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$4.46 |
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 (3.0 / 5.0) The invention of writing was one of the most important technological, cultural, and sociological breakthroughs in human history. With the printed book, information and ideas could disseminate more widely and effectively than ever before—and in some cases, affect and redirect the sway of history. Today, nearly one million books are published each year. But is the era of the book as we know it—a codex of bound pages—coming to an end? And if it is, should we celebrate its demise and the creation of a democratic digital future, or mourn an irreplaceable loss? The digital age is revolutionizing the information landscape. Already, more books have been scanned and digitized than were housed in the great library in Alexandria, making available millions of texts for a curious reader at the click of a button, and electronic book sales are growing exponentially. Will this revolution in the delivery of information and entertainment make for more transparent and far-reaching dissemination or create a monopolistic stranglehold? <br><br> In The Case for Books, Robert Darnton, an intellectual pioneer in the field of the history of the book and director of Harvard University's Library, offers an in-depth examination of the book from its earliest beginnings to its shifting role today in popular culture, commerce, and the academy. As an author, editorial advisor, and publishing entrepreneur, Darnton is a unique authority on the life and role of the book in society. This book is a wise work of scholarship—one that requires readers to carefully consider how the digital revolution will broadly affect the marketplace of ideas.
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$14.84 |
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 (5.0 / 5.0) Following on from the widely successful first volume, this second edition has been updated and expanded to create an essential collection of writings examining different aspects of the history of books and print culture.<P>Arranged in thematic sections, bringing together a wide range of contributors, and featuring introductions to each section, this new edition:
This pioneering book is a vital resource for all those involved in publishing studies, library studies, book history and also those studying English literature, cultural studies, sociology and history.
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$33.98 |
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 (4.5 / 5.0) Providing a comprehensive and accessible orientation to the field of medieval manuscript studies, this lavishly illustrated book by Raymond Clemens and Timothy Graham is unique among handbooks on paleography, codicology, and manuscript illumination in its scope and level of detail. It will be of immeasurable help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print. <P>Introduction to Manuscript Studies features three sections:
o Part 1, "Making the Medieval Manuscript," offers an in-depth examination of the process of manuscript production, from the preparation of the writing surface through the stages of copying the text, rubrication, decoration, glossing, and annotation to the binding and storage of the completed codex. <P>o Part 2, "Reading the Medieval Manuscript," focuses on the skills necessary for the successful study of manuscripts, with chapters on transcribing and editing; reading texts damaged by fire, water, insects, and other factors; assessing evidence for origin and provenance; and describing and cataloguing manuscripts. o Part 3, "Some Manuscript Genres," provides an analysis of several of the most frequently encountered types of medieval manuscripts, including Bibles and biblical concordances, liturgical service books, Books of Hours, charters and cartularies, maps, and scrolls. The book concludes with an extensive glossary, a guide to dictionaries of medieval Latin, and a bibliography subdivided and keyed to the subsections of the volume's chapters. Every chapter in this magisterial guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge.
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$26.42 |
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 (3.5 / 5.0) For its millions of readers, the <i>National Geographic has long been a window to the world of exotic peoples and places. In this fascinating account of an American institution, Catherine A. Lutz and Jane L. Collins explore the possibility that the magazine, in purporting to teach us about distant cultures, actually tells us much more about our own.
Lutz and Collins take us inside the National Geographic Society to investigate how its photographers, editors, and designers select images and text to produce representations of Third World cultures. Through interviews with the editors, they describe the process as one of negotiating standards of "balance" and "objectivity," informational content and visual beauty. Then, in a close reading of some six hundred photographs, they examine issues of race, gender, privilege, progress, and modernity through an analysis of the way such things as color, pose, framing, and vantage point are used in representations of non-Western peoples. Finally, through extensive interviews with readers, the authors assess how the cultural narratives of the magazine are received and interpreted, and identify a tension between the desire to know about other peoples and their ways and the wish to validate middle-class American values. <P>The result is a complex portrait of an institution and its role in promoting a kind of conservative humanism that acknowledges universal values and celebrates diversity while it allows readers to relegate non-Western peoples to an earlier stage of progress. We see the magazine and the Society as a key middlebrow arbiter of taste, wealth, and power in America, and we get a telling glimpse into middle-class American culture and all the wishes, assumptions, and fears it brings to bear on our armchair explorations of the world.
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$17.00 |
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(4.5 / 5.0) Inspired by the process of creating a library for his fifteenth-century home near the Loire, in France, Alberto Manguel, the acclaimed writer on books and reading, has taken up the subject of libraries. “Libraries,” he says, “have always seemed to me pleasantly mad places, and for as long as I can remember I’ve been seduced by their labyrinthine logic.” In this personal, deliberately unsystematic, and wide-ranging book, he offers a captivating meditation on the meaning of libraries.
Manguel, a guide of irrepressible enthusiasm, conducts a unique library tour that extends from his childhood bookshelves to the “complete” libraries of the Internet, from Ancient Egypt and Greece to the Arab world, from China and Rome to Google. He ponders the doomed library of Alexandria as well as the personal libraries of Charles Dickens, Jorge Luis Borges, and others. He recounts stories of people who have struggled against tyranny to preserve freedom of thought—the Polish librarian who smuggled books to safety as the Nazis began their destruction of Jewish libraries; the Afghani bookseller who kept his store open through decades of unrest. Oral “memory libraries” kept alive by prisoners, libraries of banned books, the imaginary library of Count Dracula, the library of books never written—Manguel illuminates the mysteries of libraries as no other writer could. With scores of wonderful images throughout, <I>The Library at Night is a fascinating voyage through Manguel’s mind, memory, and vast knowledge of books and civilizations.
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$10.50 |
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(4.5 / 5.0) From clay tablets to CD-ROM, from book thieves to book burners, bibliophiles, book fools and saints, noted essayist Alberto Manguel follows the quirky and passionate 4,000-year-old history of the written work whose true hero is the reader. Photos & line drawings.
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$6.42 |
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(4.5 / 5.0) The books altered the course of history; the lives behind them have the dark fascination of fiction. The subject of The Anti-Communist Manifestos is four influential books that informed the great political struggle known as the Cold War: <em>Darkness at Noon (1940), by Arthur Koestler, a Hungarian journalist and polymath intellectual; <em>Out of the Night (1941), by Jan Valtin, a German sailor and labor agitator; <em>I Chose Freedom (1946), by Victor Kravchenko, a Soviet engineer; and Witness (1952), by Whittaker Chambers, an American journalist. The authors were ex–Communist Party members whose bitter disillusionment led them to turn on their former allegiance in literary fury.<p /> Koestler was a rapist, Valtin a thug. Kravchenko, though not a spy, was forced to live like one in America. Chambers was a prophet without honor in his own land. Three of the four had been underground espionage agents of the Comintern. All contemplated suicide, and two of them achieved it. John V. Fleming’s humane and ironic narrative of these grim lives reveals that words were the true driving force behind the Cold War. 4 photos.
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$16.45 |