<DIV><P>What happens when two sets of parents meet up to deal with the unruly behavior of their children? A calm and rational debate between grown-ups about the need to teach kids how to behave properly? Or a hysterical night of name-calling, tantrums, and tears before bedtime?
     Christopher Hampton’s translation of Yasmina Reza’s sharp-edged new play The God of Carnage premiered at Wyndham’s Theatre, London, in March 2008 and at Bernard B. Jacobs Theater, New York City, in March 2009. The International Herald Tribune calls it “an expert piece of stagecraft, and savagely funny.”

Enhance your understanding and appreciation of theatre by going straight to the source-the play scripts! This anthology includes 15 plays that represent a wide historical range as well as the vibrant diversity of contemporary American theatre. An opening essay sets the context for each play, helping you to read with a more informed and analytical eye. The scripts also serve as a foundation that makes discussions of the various types of theatrical experience in your main text more meaningful.

Peter Brook's career, beginning in the 1940s with radical productions of Shakespeare with a modern experimental sensibility and continuing to his recent work in the worlds of opera and epic theater, makes him perhaps the most influential director of the 20th century. Cofounder of the Royal Shakespeare Company and director of the International Center for Theater Research in Paris, perhaps Brook's greatest legacy will be <I>The Empty Space. His 1968 book divides the theatrical landscape, as Brook saw it, into four different types: the Deadly Theater (the conventional theater, formulaic and unsatisfying), the Holy Theater (which seeks to rediscover ritual and drama's spiritual dimension, best expressed by the writings of Artaud and the work of director Jerzy Grotowski), the Rough Theater (a theater of the people, against pretension and full of noise and action, best typified by the Elizabethan theater), and the Immediate Theater, which Brook identifies his own career with, an attempt to discover a fluid and ever-changing style that emphasizes the joy of the theatrical experience. What differentiates Brook's writing from so many other theatrical gurus is its extraordinary clarity. His gentle illumination of the four types of theater is conversational, even chatty, and though passionately felt, it's entirely lacking in the sort of didactic bombast that flaws many similar texts. --John Longenbaugh

To make Oedipus more accessible for the modern reader, our Prestwick House Literary Touchstone Edition™ includes a glossary of the more difficult words, as well as convenient sidebar notes to enlighten the reader on aspects that may be confusing or overlooked. We hope that the reader may, through this edition, more fully enjoy the beauty of the verse, the wisdom of the insights, and the impact of the drama. Sophocles’ Oedipus Rex has never been surpassed for the raw and terrible power with which its hero struggles to answer the eternal question, "Who am I?" The play, a story of a king who—acting entirely in ignorance—kills his father and marries his mother, unfolds with shattering power; we are helplessly carried along with Oedipus towards the final, horrific truth. This vibrant, new translation invites its readers to lose themselves in the unfolding of this tragic tale—as suspenseful as a detective mystery, yet with an outcome long ago determined by Fate.

Writing at the time of political and social crisis in Athens Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta. In Lysistrata a band of women tap into the awesome power of sex in order to end a war. The darker comedy of The Clouds satirizes Athenian philosophers, Socrates in particular, and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged.

Taken from the highly acclaimed Oxford Ibsen, this collection of Ibsen's plays includes A Doll's House, Ghosts, Hedda Gabler, and The Master Builder.

Better readers make better writers.
Today’s students do read—we know that they read a significant amount of email, text messages, web pages, and even magazines. What many do not do is read in a sustained way. Many do not come to college prepared to read long texts, nor do they come with the tools necessary to analyze and synthesize what they read. Nick Delbanco and Alan Cheuse have proven in their own teaching that when you improve students’ ability and interest in reading, you will help them improve their writing.

Bringing writers to students, Bringing students to writing.<BR><i>Literature: Craft and Voice is an innovative new Introductory Literature program designed to engage students in the reading of Literature, all with a view to developing their reading, analytical, and written skills. Accompanied by, and integrated with, video interviews of dozens of living authors who are featured in the text, conducted by authors Nick Delbanco and Alan Cheuse specifically for use with their textbook, the book provides a living voice for the literature on the page and creates a link between the student and the authors of great works of literature. The first text of its kind, <i>Literature: Craft and Voice offers a more enjoyable and effective reading experience through its fresh, inviting design and accompanying rich video program.

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A fresh, revealing look at American drama between the Revolutionary and Civil Wars. This collection of eight plays introduces readers to an important and neglected area of American literature. English professor Jeffrey Richards points out how these "melodramas" offer insights into our cultural history and also embody themes and styles still echoed today.

This volume offers a major selection of Bertolt Brecht's groundbreaking critical writing. Here, arranged in chronological order, are essays from 1918 to 1956, in which Brecht explores his definition of the Epic Theatre and his theory of alienation-effects in directing, acting, and writing, and discusses, among other works, The Threepenny Opera, Mahagonny, Mother Courage, Puntila, and Galileo. Also included is "A Short Organum for the Theatre," Brecht's most complete exposition of his revolutionary philosophy of drama.

Translated and edited by John Willett, <i>Brecht on Theater is essential to an understanding of one of the twentieth century's most influential dramatists.